Spring 2018 Artist-in-Residence Michelle Schwengel-Regala
Our Spring 2018 AiR is science illustrator and fine artist Michelle Schwengel-Regala, of Mililani, Hawaii. Michelle creates diverse projects including technical science renderings, information graphics, sculptures, and community art initiatives. The common thread is that her art tells stories about science. She presented her work at the 2017 Honolulu Biennial, Hawai‘i Handweavers’ Hui, and CONTACT. Michelle’s past residencies include the Artist-in-Resident program at the Bishop Museum, Artist-at-Sea Program with Schmidt Ocean Institute, and National Science Foundation Antarctic Artists & Writers Program.
Summer 2018 Artist-in-Residence Jane Chang Mi
Our Summer 2018 AiR is Jane Chang Mi, an ocean engineer and artist based out of Honolulu and Los Angeles. Her works consider land politics and post-colonial ecologies. Exploring the narratives associated with environment through her interdisciplinary research-based work, she aims to express our contemporary relationship to nature. Jane has exhibited both nationally and internationally, most recently at Emily Carr University in Vancouver, Canada, Honolulu Biennial, and Beaconsfield Contemporary Art in London. She was a visiting artist at the National Gallery in Amman, Jordan, sponsored by START House and Art Dubai, and a scientist on the Arctic Circle Program departing Spitsbergen, Norway. Jane currently teaches at Pepperdine University in Malibu, CA.
Aloha & Mahalo, Nanci!
A huge “Congratulations” to our Summer 2017 Resident, Nanci Amaka! Her opening of MOTHER on January 11th was an incredible success, and we were blown away by her beautiful, poignant images and words. We will miss your warm spirit and gracious energy, Nanci! Best of luck with your future endeavors!
MOTHER will be up at the BoxJelly until April 27, 2018. With her mother as muse, Honolulu-based artist Nanci Amaka explores the anxieties surrounding concepts of love, loss, embodiment, and letting go with a new series of work. Amaka’s artistic process involved re-enacting memories and metaphysical childhood visions of her mother, an intimate performance of dealing with her death and release of her lifelong search for answers.